Building an exposition in a blog seems backwards: One may relate things incomprehensibe without the earlier posts.

Hence, in this FIFO page, I will append each of my posts to the end, perhaps to produce a story flow.

On this 24th anniversary of 9/11, I would again try to relate what I saw in that same year: That Dante Alighieri’s Divine Comedy contained in it a prophecy about 9/11/2001. In particular, in the last four cantos of Purgatory, 29 to 33, are images that relate to the 9/11 attacks, foreign or domestic.

I first read Tennyson’s translation, but now I have another translation by Rev. Cary obtained from Project Gutenberg:

The Project Gutenberg eBook of The Divine Comedy, by Dante Alighieri

https://www.gutenberg.org/files/8800/8800-h/8800-h.htm

All of the following Dante Alighieri Purgatory excerpts were taken from that document:

1. Previously, Dante has been walking along a river, just as New York City has a river on either side, and there is much writing about the divine chariot pulled by a griffen. These very last few lines of Purgatory canto 29 describe the striking of the first WTC tower, and the halting of the airplane:

Whenas the car was o’er against me, straight.
Was heard a thund’ring, at whose voice it seem’d
The chosen multitude were stay’d; for there,
With the first ensigns, made they solemn halt.

2. I select these lines in Purgatory canto 32 as describing the striking of the second WTC tower, in that the chariot is being bound to a stock, the tower.

And turning to the chariot-pole, to foot
He drew it of the widow’d branch, and bound
There left unto the stock whereon it grew.

3. Still in canto 32, the collapse of one tower:

As I beheld the bird of Jove descending
Pounce on the tree, and, as he rush’d, the rind,
Disparting crush beneath him, buds much more
And leaflets. On the car with all his might
He struck, whence, staggering like a ship, it reel’d,
At random driv’n, to starboard now, o’ercome,
And now to larboard, by the vaulting waves.

4. I once thought “poorly freighted bark represented the fourth plane, with no viable pilot after the “Let’s Roll!” revolt. But now I propose, still in canto 32, the collapse of the other tower:

Next, from whence before he came,
I saw the eagle dart into the hull
O’ th’ car, and leave it with his feathers lin’d;
And then a voice, like that which issues forth
From heart with sorrow riv’d, did issue forth
From heav’n, and, “O poor bark of mine!” it cried,
“How badly art thou freighted!” Then, it seem’d,
That the earth open’d between either wheel,
And I beheld a dragon issue thence,
That through the chariot fix’d his forked train;
And like a wasp that draggeth back the sting,
So drawing forth his baleful train, he dragg’d
Part of the bottom forth, and went his way
Exulting.

5. Although on the clock, the Pentagon was struck before the towers fell, I think Dante grouped the events thematically, as I have heard and seen a lot in the Book of Revelation. So, still in canto 32, this represents the striking of the Pentagon, which building is of much concrete, like an immense rock, while the whore and the giant represent the USA military and politics:

Thus transform’d,
The holy structure, through its several parts,
Did put forth heads, three on the beam, and one
On every side; the first like oxen horn’d,
But with a single horn upon their front
The four. Like monster sight hath never seen.
O’er it methought there sat, secure as rock
On mountain’s lofty top, a shameless whore,
Whose ken rov’d loosely round her. At her side,
As ’t were that none might bear her off, I saw
A giant stand; and ever, and anon
They mingled kisses.

6. Immediately after, ending canto 32, are these lines describing the fourth airplane, which crashed in Pennsylvania, which part-word sylvania means forest:

But, her lustful eyes
Chancing on me to wander, that fell minion
Scourg’d her from head to foot all o’er; then full
Of jealousy, and fierce with rage, unloos’d
The monster, and dragg’d on, so far across
The forest, that from me its shades alone
Shielded the harlot and the new-form’d brute.

7. On a much longer timescale, even up to now, features in canto 33 describe the ascendancy and work of President Donald J Trump, for while 515 in Roman numerals would be DXV, the inversion in the text makes DVX, a visual cognate of the initials DJT:

Plainly I view, and therefore speak, the stars
E’en now approaching, whose conjunction, free
From all impediment and bar, brings on
A season, in the which, one sent from God,
(Five hundred, five, and ten, do mark him out)
That foul one, and th’ accomplice of her guilt,
The giant, both shall slay.

A lurid, titillating tryst is perhaps the most important of my erotic religious episodes to document first, as it resounds in all the prophets, even as the second coming of Christ.

Unestablished heretofore in my blog, autofellatio is at the heart of the creation of the avatar known as Jesus Christ.

From my first discovery of autofellatio in 1976, it was twenty four years to the grand moment that I planned, of a male autofellator opposite a female performing autocunnilingus.

On the first day of Rosh Hashanah, Saturday, September 31, 2000, I obtained a motel room and went to my local strip club, PJ’s, where I sought the attention of a certain female dancer by tipping seven halves of hundred dollar bills. At the end of her shift, I explained my intentions, but she declined, mentioning boy friend amongst other words. I returned alone to my motel room and drank up a waiting bottle of wine with apocalyptic visions running through my head. I lazily did not even blow myself, but just rolled my legs up and came from afar into my mouth. I mention this vital fact, as it renders the book, my penis, little, rather than great, as all fully reflexive sex acts bear the Greek label MEGA in the Book of Revelation.

On the second day of Rosh Hashanah, Sunday, October 1, 2000, I returned to PJ’s, lately a favorite haunt, and mentioned to another dancer what I had wanted. She said she could do that! She set a price for a private dance at $300 as it would involve coming.

I remember the compass orientation of her motel room. Against the south wall were the heads of two twin beds–she mentioned having a girl friend living there, who was not present. After drinks and smokes and getting naked, I took the east bed, and she took the west bed. We were both inverted, supported on our necks at the very edges of the beds, with our feet touching. I began autofellatio as she watched, her vagina perhaps two feet above her face, so clearly she would not fulfill her promise. I was struck with terrible indigestion, such as I have never had before, and I had to right myself. So I kneeled on the north end of my bed, facing north, and began to complete my autofellatio.

She surprised me by mounting an armchair in front of me, to the north of me, in a wonderful full split, legs fully 180 degrees apart, spread out astride the two wooden arms of the chair. I may have forgotten by now all the ways she grasped her body and smote her pudenda, before inserting the middle three fingers of her right hand therein. Funny, I never knew what it looked like to masturbate a woman well. During this time, I was still trying to blow myself, while watching her, kneeling and facing her, and with a powerful indigestion.

The entire moment changed when she used both hands to insert her breasts into her mouth, to suckle herself. My penis immediately fell, and I tried to stroke it back to life, but to no avail. She lamented that we had no viagra. Following all that, I gave her a thorough rubdown on the west bed, toes to top, back to front, everything except her pudenda, with me sporting a new erection.

As Sargeant Friday might say, that’s “just the facts, ma’am”. But there are endless correlations to multiple prophecies in both the old and new testament, and of course, in Revelation, which will require many further posts to explore.

For starters, this entire tryst sequence matches the Revelation 10 description of the (pre-) seventh trumpet. Note that I did not come during the session. I came later very quickly in my newly occupied rental room, imagining an unrelated female referent. Such later autofellatio marks the actual sounding of the seventh trumpet, and initiates some seventh phase or period. Therefore, during the entire hour-long tryst, I was still in the sixth trumpet phase. This explains my being the sixth king, with five kings fallen, and one king yet to come, during the Revelation 17 recapitulation of Babylon the Great.

Most importantly, her ten fingers are Revelation’s ten horns which are also ten kings, and her clitoris is the eleventh horn that swallowed up three of the horns (in Daniel 7). The ten fingers burned her with fire, i.e., sexual stimulation, and eventually helped her to eat her own flesh, suckling herself.

Her two nipples are the two witnesses (prophesying of our mutual sexual desire) which were slain when she put them in her mouth, that moment that divides many sevenfold time scales into halves, lying there in the street of the great city, spiritually called Sodom and Egypt. They were raised again in my rubdown over them, and as if hypothecated, entered into my mouth, the cloud symbol.

Our initial position of our four feet touching each other fulfills many symbols: of Christ putting his enemies under his feet, also of standing upon mount Zion, which was later split to the east and west by her full split, and meanwhile regarding her, of gentiles treading on the holy city.

There are SO many more symbols to relate and prophecies to correlate, that this full post is just a tip of an iceberg.

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